Table of Contents
Music has the power to move us, to inspire us, and to bring us together. And within the realm of music, the bass guitar holds a special place. Its deep, resonant tones provide the foundation for many iconic songs, and its players are often revered for their skill and creativity. One technique that has captivated bass enthusiasts around the world is the art of killing in the name of tabs bass. In this article, we will explore the origins of this technique, its impact on the bass community, and how it has evolved over time.
The Origins of Killing in the Name of Tabs Bass
The technique of killing in the name of tabs bass originated in the late 1980s with the release of the song “Killing in the Name” by the American rock band Rage Against the Machine. The song, known for its powerful bassline, was a rallying cry against social and political injustice. Bassist Tim Commerford’s use of the technique added an aggressive and percussive element to the song, elevating it to new heights.
Commerford’s approach to killing in the name of tabs bass involved muting the strings with his left hand while striking them with his right hand. This created a distinctive “chugging” sound that became synonymous with the song. The technique was not only a testament to Commerford’s technical prowess but also a reflection of the band’s rebellious spirit.
The Impact on the Bass Community
The introduction of killing in the name of tabs bass had a profound impact on the bass community. It showcased the versatility of the instrument and opened up new possibilities for bass players. The technique became a staple in the repertoire of many bassists, who sought to emulate Commerford’s unique style.
Furthermore, the popularity of “Killing in the Name” and its bassline inspired a new generation of bass players to pick up the instrument. The song’s rebellious message resonated with many, and its bassline became a symbol of defiance and empowerment. As a result, bass guitar sales soared, and bass-focused music communities flourished.
The Evolution of Killing in the Name of Tabs Bass
Over the years, killing in the name of tabs bass has evolved and expanded beyond its original context. Bassists from various genres and styles have incorporated the technique into their playing, adding their own unique twists and interpretations.
One notable example is Flea, the bassist for the Red Hot Chili Peppers. In songs like “Give It Away” and “Can’t Stop,” Flea combines the killing in the name of tabs bass technique with his signature slap and pop style, creating a dynamic and energetic sound. His innovative approach has influenced countless bass players and further popularized the technique.
Another evolution of killing in the name of tabs bass can be seen in the world of metal music. Bassists in metal bands often use the technique to create heavy and aggressive riffs that complement the genre’s intense sound. The combination of distorted bass tones and the chugging rhythm adds a powerful layer to the music, enhancing the overall impact.
Case Studies: Notable Songs and Bassists
To further illustrate the impact and versatility of killing in the name of tabs bass, let’s explore some notable songs and bassists who have embraced the technique:
- Song: “Schism” by Tool – Justin Chancellor’s intricate bassline in this progressive rock masterpiece showcases the complexity and precision that can be achieved with the technique.
- Bassist: Les Claypool – Known for his virtuosic playing and eccentric style, Claypool has incorporated killing in the name of tabs bass into many of his songs with the band Primus, such as “Jerry Was a Race Car Driver” and “My Name Is Mud.”
- Song: “Hysteria” by Muse – Chris Wolstenholme’s bassline in this alternative rock anthem demonstrates how killing in the name of tabs bass can be used to create a driving and melodic foundation for a song.
1. What are some common techniques used in killing in the name of tabs bass?
Some common techniques used in killing in the name of tabs bass include muting the strings with the left hand, striking the strings with the right hand, and using palm muting to create a percussive sound.
2. How can I improve my killing in the name of tabs bass technique?
Improving your killing in the name of tabs bass technique requires practice and experimentation. Start by mastering the basic muting and striking techniques, and then gradually incorporate them into your playing. Listen to songs that feature the technique and try to replicate the sound and feel.
3. Are there any specific bass guitars or equipment that work best for killing in the name of tabs bass?
While there are no specific bass guitars or equipment that are essential for killing in the name of tabs bass, it is important to have a bass with good sustain and a clear, defined tone. Experimenting with different types of strings and pickups can also help you achieve the desired sound.
4. Can killing in the name of tabs bass be used in other genres besides rock and metal?
Absolutely! Killing in the name of tabs bass can be adapted to fit any genre or style of music. Whether you’re playing jazz, funk, or even pop, incorporating the technique can add a unique and dynamic element to your basslines.
5. What are some other iconic songs that feature killing in the name of tabs bass?
Some other iconic songs that feature killing in the name of tabs bass include “Another One Bites the Dust” by Queen, “Money” by Pink Floyd, and “Seven Nation Army” by The White Stripes.
Killing in the name of tabs bass is a technique that has revolutionized the world of bass guitar. Its origins in the song “Killing in the Name” by Rage Against the Machine sparked a movement, inspiring bassists to explore new possibilities and push the boundaries of their instrument. Over time, the technique has evolved and been embraced by bassists from various genres, further cementing its place in the bass community. By incorporating killing in the name of tabs bass into their playing, bassists can add a powerful and percussive element to their music, creating a unique and captivating sound.